The List of Phish Albums in Order of Release Date
Phish Albums in Order: Phish, the American rock band formed in Burlington, Vermont, in 1983, has cultivated a legendary reputation for their genre-blending sound, improvisational mastery, and devoted fanbase. With a lineup consisting of Trey Anastasio, Mike Gordon, Jon Fishman, and Page McConnell, Phish has built a discography that highlights their musical evolution and creativity.
Exploring Phish albums in order offers a journey through their eclectic styles, from the intricate compositions of Junta (1989) and Lawn Boy (1990) to the chart-topping, reflective tones of Billy Breathes (1996) and the experimental sounds of Sigma Oasis (2020). Each release demonstrates their unique ability to fuse genres like rock, funk, jazz, and folk, reflecting their influence as pioneers in the jam band movement. Beyond their studio work, Phish’s extensive live albums capture the band’s unmatched improvisation and connection with audiences.
With over 8 million albums and DVDs sold, their discography is a testament to decades of artistic growth and a celebrated legacy in modern music. So, if you are a die heart fan of Phish Albums then check out here we have list of Phish albums in order of release so far.
Also See: Primus Albums in Order
How many albums does Phish have?
Phish boasts an impressive discography featuring 16 studio albums, 13 live albums, 1 compilation album, 29 singles, 11 video albums, 27 Live Phish series releases, 31 archival releases, and 21 Live Bait series entries.
The List of Phish Albums in Order of Release Date
Here is the list of Phish Album in Order of Release Date
- Junta — May 8, 1989
- Lawn Boy — September 21, 1990
- A Picture of Nectar — February 12, 1992
- Rift — February 2, 1993
- Hoist — March 29, 1994
- Billy Breathes — October 15, 1996
- The Story of the Ghost — October 27, 1998
- The Siket Disc — June 3, 1999
- Farmhouse — May 16, 2000
- Round Room — December 10, 2002
- Undermind — June 15, 2004
- Joy — September 8, 2009
- Fuego — June 24, 2014
- Big Boat — October 7, 2016
- Sigma Oasis — April 2, 2020
- Evolve — July 12, 2024
All Phish Albums List in Order
1. Junta (1989)
Tracks
- Fee
- You Enjoy Myself
- Esther
- Golgi Apparatus
- Foam
- Dinner and a Movie
- The Divided Sky
- David Bowie
- Fluffhead
- Fluff’s Travels
• Fluff’s Travels
• The Chase
• Who Do? We Do!
• Clod
• Bundle of Joy
• Arrival - Contact
- Union Federal
- Sanity
- Icculus
Junta, the debut studio album by Phish, was self-released in May 1989 and later reissued by Elektra Records in 1992. Named after the band’s first manager, Ben “Junta” Hunter, it was recorded independently at Euphoria Sound Studio in Revere, Massachusetts. Featuring symphonic rock and jazz-infused multi-part compositions, the album includes tracks like “You Enjoy Myself” and “David Bowie.” Originally released on cassette, Junta was certified platinum by 2004. The 2012 vinyl reissue featured remastered audio and bonus tracks like “Sanity” and “Icculus.” It showcases Phish’s eclectic style and remains a cornerstone of their discography.
2. Lawn Boy (1990)
Tracks
- The Squirming Coil
- Reba
- My Sweet One
- Split Open and Melt
- The Oh Kee Pa Ceremony
- Bathtub Gin
- Run Like an Antelope
- Lawn Boy
- Bouncing Around the Room
Lawn Boy is Phish’s second studio album, released on September 21, 1990, by Absolute A Go Go Records, with a reissue by Elektra Records in 1992. This eclectic album blends progressive rock, fusion, bluegrass, jazz, and barbershop quartet influences, echoing the band’s diverse sound from their debut album, Junta. Tracks like “Reba” and “Run Like an Antelope” showcase Phish’s intricate musicianship. Recorded in Winooski, Vermont, with self-production and live takes, the sessions featured local musicians, including the Giant Country Horns. Lawn Boy achieved RIAA Gold certification in 2004 and remains iconic, celebrated with a deluxe vinyl release for Record Store Day in 2013.
3. A Picture of Nectar (1992)
Tracks
- Llama
- Eliza
- Cavern
- Poor Heart
- Stash
- Manteca
- Guelah Papyrus
- Magilla
- The Landlady
- Glide
- Tweezer
- The Mango Song
- Chalk Dust Torture
- Faht
- Catapult
- Tweezer Reprise
Released on February 18, 1992, A Picture of Nectar marked Phish’s major label debut with Elektra Records, showcasing their eclectic musical versatility. Dedicated to Nectar Rorris, owner of Burlington’s Nectar’s, where the band honed their craft, the album blends genres like jazz, bluegrass, calypso, and neo-psychedelia. Notable tracks include the Latin jazz-inspired “The Landlady” and Dizzy Gillespie’s “Manteca,” reimagined with humor. Its vibrant musicianship earned critical acclaim, with Billboard praising its dynamic range. Certified gold by 2001, the album re-entered the charts in 2014. Standout tracks like “Tweezer” and “Stash” remain concert staples, cementing the album’s enduring legacy.
4. Rift (1993)
Tracks
- Rift
- Fast Enough for You
- Lengthwise
- Maze
- Sparkle
- Horn
- The Wedge
- My Friend, My Friend
- Weigh
- All Things Reconsidered
- Mound
- It’s Ice
- Lengthwise
- The Horse
- Silent in the Morning
Rift, the fourth studio album by Phish, was released on February 2, 1993, through Elektra Records. A standout concept album, it explores the dreams of a man confronting the emotional rift in his romantic relationship. Produced by Barry Beckett, the album reflects a mature blend of the band’s diverse styles, integrating intricate compositions with introspective lyrics, primarily penned by Trey Anastasio and Tom Marshall. Tracks like “All Things Reconsidered” showcase experimental ingenuity, while Mike Gordon’s and Jon Fishman’s contributions highlight the collaborative essence of the band. Featuring David Welker’s iconic cover art, Rift achieved gold certification and remains a critical and fan-favorite in Phish’s discography.
5. Hoist (1994)
Tracks
- Julius
- Down with Disease
- If I Could
- Riker’s Mailbox
- Axilla (Part II)
- Lifeboy
- Sample in a Jar
- Wolfman’s Brother
- Scent of a Mule
- Dog Faced Boy
- Demand
Phish’s fifth studio album, Hoist (stylized as (HOIST)), released on March 29, 1994, marked a significant evolution in the band’s sound and commercial success. Blending jazz, blues, soul, and bluegrass, the album showcased a more streamlined approach to songwriting, featuring standout tracks like “Down with Disease,” their breakthrough single, and “Sample in a Jar.” Hoist peaked at No. 34 on the Billboard 200, later earning gold certification in 1996. With guest contributions from Alison Krauss, Béla Fleck, and Tower of Power, the album also experimented with unique instrumentation and themes. Its innovative production and accessible hooks solidified its place in Phish’s discography.
6. Billy Breathes (1996)
Tracks
- Free
- Character Zero
- Waste
- Taste
- Cars Trucks Buses
- Talk
- Theme from the Bottom
- Train Song
- Bliss
- Billy Breathes
- Swept Away
- Steep
- Prince Caspian
Billy Breathes, Phish’s sixth studio album, was released on October 15, 1996, and marked a pivotal moment in the band’s evolution. Produced by Steve Lillywhite, the album blended the band’s signature jam band style with more accessible mainstream rock, introducing them to a wider audience. Its hit single “Free” became Phish’s highest-charting song, reaching #11 on the Billboard Mainstream Rock Tracks chart. The album was recorded at Bearsville Studios in New York and features songs like “Taste,” “Cars Trucks Buses,” and “Prince Caspian,” many of which had been debuted during live performances in 1995. Praised for its introspective tone, Billy Breathes was certified Gold by the RIAA in 1999 and is regarded as a defining work in Phish’s discography.
7. The Story of the Ghost (1998)
Tracks
- Ghost
- Birds of a Feather
- Meat
- Guyute
- Fikus
- Shafty
- Limb by Limb
- Frankie Says
- Brian and Robert
- Water in the Sky
- Roggae
- Wading in the Velvet Sea
- The Moma Dance
- End of Session
The Story of the Ghost, released on October 27, 1998, is Phish’s seventh studio album. It marks a significant shift towards a jazz-funk influenced “cow-funk” style, building on the band’s improvisational work in 1997-98. Produced by Andy Wallace, known for his work with Nirvana and Slayer, the album showcases a mix of tight grooves, airy vocals, and unhurried tempos. Notably, the album features no instrumentals and includes tracks like “Birds of a Feather” and “Guyute”. The album was born from jam sessions, with lyrics by longtime collaborator Tom Marshall. The cover art was created by George Condo.
8. The Siket Disc (1999)
Tracks
- My Left Toe
- The Name Is Slick
- What’s the Use?
- Fish Bass
- Quadrophonic Toppling
- The Happy Whip and Dung Song
- Insects
- Title Track
- Albert
The Siket Disc is the eighth studio album by Phish, released in June 1999 through the band’s website and later commercially in 2000. Unlike their other works, it is entirely instrumental, featuring excerpts from long-form improvisational jams recorded during sessions for The Story of the Ghost. The album, produced by Phish keyboardist Page McConnell, embraces an ambient, post-rock sound that differs from their usual style. Notable tracks include “What’s the Use?”, which became a live show staple. The album was also available for download on LivePhish.com in 2009. The Siket Disc remains a unique and experimental part of Phish’s discography.
9. Farmhouse (2000)
Tracks
- Farmhouse
- Twist
- Bug
- Back on the Train
- Heavy Things
- Gotta Jibboo
- Dirt
- Piper
- Sleep
- The Inlaw Josie Wales
- Sand
- First Tube
Farmhouse, released on May 16, 2000, is the ninth studio album by Phish, marking the band’s final studio release before their hiatus in 2000. Featuring their hit single Heavy Things, the album saw significant radio success, reaching #29 on Billboard’s Adult Top 40 chart. Recorded at Trey Anastasio’s studio in Vermont, Farmhouse showcases the band’s evolving sound, blending rootsy rock with accessible pop elements. The album was met with positive reviews, praised for its concise songwriting and organic feel, though some critics noted a more mellow tone. The album was certified gold in 2006 and later received a vinyl reissue in 2023.
10. Round Room (2002)
Tracks
- Pebbles and Marbles
- Anything But Me
- Round Room
- Mexican Cousin
- Friday
- Seven Below
- Mock Song
- 46 Days
- All of These Dreams
- Walls of the Cave
- Thunderhead
- Waves
Round Room is Phish’s tenth studio album, released on December 10, 2002, after a two-year hiatus. The album, recorded in four days in October 2002, marks a departure from the band’s usual studio process. Instead of a live recording from their anticipated Madison Square Garden show, they chose to release tracks recorded during rehearsals at Trey Anastasio’s Vermont studio, giving the album a raw, live feel. Notable for its collaborative songwriting between Anastasio and lyricist Tom Marshall, Round Room features unpolished, energetic tracks. The album is dedicated to Michael Houser of Widespread Panic and Phish fan Scott Schertzer.
11. Undermind (2004)
Tracks
- Scents and Subtle Sounds (Intro)
- Undermind
- The Connection
- A Song I Heard the Ocean Sing
- Army of One
- Crowd Control
- Maggie’s Revenge
- Nothing
- Two Versions of Me
- Access Me
- Scents and Subtle Sounds
- Tomorrow’s Song
- Secret Smile
- Grind
“Undermind” is Phish’s eleventh studio album, released on June 15, 2004, marking their final release before disbanding that year. A blend of experimental rock, the album features contributions from all members, with notable songs from frontman Trey Anastasio and lyricist Tom Marshall. The album opens with the track “Scents and Subtle Sounds,” which incorporates an intro from a demo by Anastasio and Marshall. “Maggie’s Revenge,” the only instrumental, and “The Connection” received praise for their accessibility. Undermind also includes behind-the-scenes content in the form of a documentary. Though it was not widely performed live during the band’s initial run, many songs have resurfaced since their reunion in 2009.
12. Joy (2009)
Tracks
- Party Time
- Alaska
- Windy City
- In a Misty Glade
- Gone
- Only a Dream
- The Birdwatcher
- Let Me Lie
- If I Told You
- Splinters of Hail
- Can’t Come Back
- Shrine
- Liquid Time
Joy, released on September 8, 2009, is Phish’s twelfth studio album, marking their first since reuniting earlier that year. Produced by Steve Lillywhite, the album blends nostalgic ballads with reflective lyrics, influenced by Trey Anastasio’s personal struggles. Tracks like “Backwards Down the Number Line” and “Time Turns Elastic” showcase the band’s distinctive sound, though the latter has received mixed reactions for its complex composition. A limited-edition “Joy Box” included bonus content, such as the Party Time album, featuring live tracks and additional songs. Fans praised the band’s enthusiasm, celebrating the album’s balance of new material and live-ready energy.
13. Fuego (2014)
Tracks
- Fuego
- The Line
- Devotion to a Dream
- Halfway to the Moon
- Winterqueen
- Sing Monica
- 555
- Waiting All Night
- Wombat
- Wingsuit
Fuego, Phish’s thirteenth studio album, released on June 24, 2014, after a five-year hiatus, captures the band’s signature jam rock with a fresh energy. The album, recorded in Nashville with legendary producer Bob Ezrin, features a blend of complex, collaborative writing, and improvisation. Phish debuted much of Fuego at their 2013 Halloween concert in Atlantic City, where they played the second set as a surprise. Tracks like “Fuego” and “The Line” showcase the band’s eclectic style, from funk to gospel-infused rock. Fuego received positive reviews for its sharp production and mature, cohesive songwriting, ranking among Phish’s best studio work.
14. Big Boat (2016)
Tracks
- Friends
- Breath and Burning
- Home
- Blaze On
- Tide Turns
- Things People Do
- Waking Up Dead
- Running Out of Time
- No Men in No Man’s Land
- Miss You
- I Always Wanted It This Way
- More
- Petrichor
Big Boat, released on October 7, 2016, is the fourteenth studio album by Phish, produced by Bob Ezrin and recorded at Trey Anastasio’s studio, The Barn, in Vermont. The album blends breezy pop with progressive rock, featuring both streamlined songwriting and intricate arrangements. It includes tracks like “Breath and Burning” and the ambitious 13-minute closer “Petrichor.” Critical reception was mixed; while AllMusic praised its accessible style, Pitchfork criticized it for lacking the band’s characteristic edge. Notably, the album’s diverse musical elements and thematic exploration showcased Phish’s continued evolution after Fuego (2014), reaffirming their place in the jam rock scene.
15. Sigma Oasis (2020)
Tracks
- Sigma Oasis
- Leaves
- Everything’s Right
- Mercury
- Shade
- Evening Song
- Steam
- A Life Beyond The Dream
- Thread
Sigma Oasis, released on April 2, 2020, is Phish’s fifteenth studio album, recorded at their Vermont-based studio, The Barn. The album features nine tracks that had previously been performed live by the band between 2011 and 2019. Produced by Phish and Vance Powell, the album includes contributions from Trey Anastasio, Tom Marshall, and Scott Herman. Most tracks were recorded live, with additional overdubs by Anastasio and Page McConnell. The album, released earlier than planned due to the COVID-19 pandemic, was praised for its improvisational style and its uplifting tone during a time of global uncertainty. Sigma Oasis received positive critical reception, with a particular focus on its cohesion and relaxed feel.
16. Evolve (2024)
Tracks
- Hey Stranger
- Oblivion
- Evolve
- A Wave of Hope
- Pillow Jets
- Lonely Trip
- Life Saving Gun
- Monsters
- Ether Edge
- Human Nature
- Valdese
- The Well
- Mercy
Evolve is Phish’s sixteenth studio album, released on July 12, 2024, through JEMP Records. Produced by Bryce Goggin and Vance Powell, the album marks the band’s first release in four years, following Sigma Oasis (2020). Featuring a cover painting by Mehdi Ghadyanloo, Evolve blends familiar themes with new sounds. The title track, first performed live in August 2021, was released as a single in April 2024 and reached number 39 on the Billboard Adult Alternative Airplay chart. Other singles include “Oblivion,” “Hey Stranger,” and “Life Saving Gun.” Tracks such as “A Wave of Hope” and “Lonely Trip” had previously appeared on Trey Anastasio’s solo albums.
Conclusion:
Phish’s discography reflects their dynamic evolution and enduring appeal as a cornerstone of the jam band genre. Spanning decades, Phish Albums in Order chronicle the band’s rich blend of musical experimentation and genre-defying creativity. From the early improvisational roots of Junta (1989) to the polished, introspective sound of Sigma Oasis (2020), each album showcases their unique ability to push boundaries while captivating fans. Notably, albums like Billy Breathes (1996) and Fuego (2014) highlight their balance of complex arrangements and accessible melodies. Together, Phish’s albums underscore their influence, commitment to live music culture, and unwavering connection with their devoted fan base.
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