The List of Superchunk Albums in Order of Release Date

All Superchunk Albums Available on:  Apple Music 

Also See: Glass Animals Albums in Order

How many albums does Superchunk have?

Superchunk has released Thirteen (13) studio albums since forming in 1989, with their latest record Songs in the Key of Yikes arriving in 2025.

The List of  Superchunk Albums in Order of Release Date

Here is the list of Superchunk Album in Order of Release Date:

1. Superchunk — 25 September 1990
2. No Pocky for Kitty — October 30, 1991
3. On the Mouth — February 10, 1993
4. Foolish — April 19, 1994
5. Here’s Where the Strings Come In — September 19, 1995
6. Indoor Living — September 9, 1997
7. Come Pick Me Up — August 10, 1999
8. Here’s to Shutting Up — September 18, 2001
9. Majesty Shredding — September 14, 2010
10. I Hate Music — August 20, 2013
11. What a Time to Be Alive — February 16, 2018
12. Wild Loneliness — February 25, 2022
13. Songs in the Key of Yikes — August 22, 2025

All Superchunk Albums List in Order

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1. Superchunk (1990)

 

Tracks:

1. Sick to Move
2. My Noise
3. Let It Go
4. Swinging
5. Slow
6. Slack Motherfucker
7. Binding
8. Down the Hall
9. Half a Life
10. Not Tomorrow
11. What Do I
12. Train From Kansas City
13. Night Creatures
14. Garlic

Superchunk’s self-titled debut album, released in 1990 on Matador Records, marked the arrival of one of indie rock’s most influential bands. Recorded over just two days at Duck Kee Studios in Raleigh, North Carolina, the album captures the raw energy and DIY spirit of the era. With its fuzz-drenched guitars, punchy rhythms, and youthful urgency, it set the tone for the band’s long career. The standout track, “Slack Motherfucker,” became a defining anthem of 1990s indie rock, earning critical acclaim and spots on Spin and Pitchfork’s “Best of the ’90s” lists. Reissued on vinyl in 2017, Superchunk remains a cornerstone of underground rock history.

2. No Pocky for Kitty (1991)

Tracks:

1. Skip Steps 1 & 3
2. Seed Toss
3. Cast Iron
4. Tower
5. Punch Me Harder
6. Sprung a Leak
7. 30 Xtra
8. Tie a Rope to the Back of the Bus
9. Press
10. Sidewalk
11. Creek
12. Throwing Things
13. Fishing
14. Cool
15. The Breadman
16. It’s So Hard to Fall in Love
17. Brand New Love
18. I Believe in Fate

No Pocky for Kitty, released in 1991, is the second studio album by American indie rock band Superchunk. Recorded in just three days with Steve Albini at the Chicago Recording Company, the album embodies the band’s raw, energetic sound that defined early ’90s indie rock. Although Albini went uncredited—liner notes humorously attribute production to bassist Laura Ballance—the record showcases punchy guitars, driving rhythms, and Mac McCaughan’s distinctive vocal style. Critics praised its catchy hooks and youthful energy, with standout tracks like “Skip Steps 1 & 3” and “Throwing Things.” Originally released on Matador Records, it was reissued by Merge Records in 1999.

3. On the Mouth (1993)

Tracks:

1. Precision Auto
2. From the Curve
3. For Tension
4. Mower
5. Package Thief
6. Swallow That
7. I Guess I Remembered It Wrong
8. New Low
9. Untied
10. The Question is How Fast
11. Trash Heap
12. Flawless
13. The Only Piece That You Get

On the Mouth is the third studio album by American indie rock band Superchunk, released in 1993 through Matador Records. Recorded in September 1992 at West Beach Studios and co-produced by John Reis and the band, the album introduced drummer Jon Wurster, who became a longtime member. Known for its energetic sound, the record blends Superchunk’s signature melodic punk style with influences from contemporaries like Rocket from the Crypt and Drive Like Jehu. Standout tracks include “Precision Auto” and “Mower,” with the album later inspiring covers by bands such as Jimmy Eat World and Les Savy Fav, cementing its lasting indie rock legacy.

4. Foolish (1994)

Tracks:

1. Like a Fool
2. The First Part
3. Water Wings
4. Driveway to Driveway
5. Saving my Ticket
6. Kicked In
7. Why Do You Have to Put a Date on Everything
8. Without Blinking
9. Keeping Track
10. Revelations
11. Stretched Out
12. In a Stage Whisper

Foolish, released in 1994, is the fourth studio album by American indie rock band Superchunk, recorded in just three days at Pachyderm Studios with producer Brian Paulson. The record is deeply emotional, shaped by the breakup between bassist Laura Ballance and frontman Mac McCaughan, which added raw intensity to the lyrics and performances. Ballance also created the striking cover art, featuring herself and a rabbit, sparking much speculation. Songs like “Driveway to Driveway” and “Like a Fool” showcase the band’s blend of melodic energy and heartfelt storytelling, making Foolish a defining release in Superchunk’s catalog and 1990s indie rock.

5. Here’s Where the Strings Come In (1995)

Tracks:

1. Hyper Enough
2. Silverleaf and Snowy Tears
3. Yeah, It’s Beautiful Here Too
4. Iron On
5. Sunshine State
6. Detroit Has a Skyline
7. Eastern Terminal
8. Animated Airplanes Over Germany
9. Green Flowers, Blue Fish
10. Here’s Where the Strings Come In
11. Certain Stars

Here’s Where the Strings Come In is the fifth studio album by American indie rock pioneers Superchunk, released on September 19, 1995, through Merge Records. Recorded at Fort Apache Studios in just under two weeks, the album captures the band’s energetic blend of melodic hooks and raw guitar-driven sound. Notable tracks include “Hyper Enough,” which gained wider recognition through its appearances in films like Yes Man and the video game NCAA Football 06, and “Green Flowers, Blue Fish,” initially recorded for the sci-fi film Johnny Mnemonic. With its mix of urgency and introspection, the record remains a fan favorite.

6. Indoor Living (1997)

Tracks:

1. Unbelievable Things
2. Burn Last Sunday
3. Marquee
4. Watery Hands
5. Nu Bruises
6. Every Single Instinct
7. Song for Marion Brown
8. The Popular Music
9. Under Our Feet
10. European Medicine
11. Martinis on the Roof

Indoor Living is the sixth studio album by American indie rock band Superchunk, released in 1997 through Merge Records. Recorded at Echo Park Studios in Bloomington, Indiana, and mixed in Durham, North Carolina, the album showcases the band’s evolving sound, blending energetic riffs with more textured arrangements. Produced with engineer John Plymale, it features standout tracks like “Watery Hands”—accompanied by a playful video starring comedians David Cross and Janeane Garofalo. Spanning 11 songs, the record runs nearly 49 minutes, offering both driving indie rock and reflective moments. A 2014 reissue added bonus content, solidifying its place in Superchunk’s rich catalog.

7. Come Pick Me Up (1999)

Tracks:

1. So Convinced
2. Hello Hawk
3. Cursed Mirror
4. 1000 Pounds
5. Good Dreams
6. Low Branches
7. Pink Clouds
8. Smarter Hearts
9. Honey Bee
10. June Showers
11. Pulled Muscle
12. Tiny Bombs
13. You Can Always Count On Me (In The Worst Way)

Come Pick Me Up is the seventh studio album by American indie rock band Superchunk, released in 1999. Marking a fresh chapter in their sound, the record was co-produced by experimental musician Jim O’Rourke, chosen for his unique perspective outside the band’s usual approach. His influence introduced unexpected layers of strings and horns, giving the album a textured, dynamic feel while still rooted in Superchunk’s energetic guitar-driven style. Notably, Shellac’s Bob Weston contributed trumpet, adding to its underground credibility. Featuring standout tracks like Hello Hawk and 1000 Pounds, the album also showcases bassist Laura Ballance’s artwork on the cover.

8. Here’s to Shutting Up (2001)

Tracks:

1. Late-Century Dream
2. Rainy Streets
3. Phone Sex
4. Florida’s on Fire
5. Out on the Wing
6. The Animal Has Left Its Shell
7. Act Surprised
8. Art Class (Song for Yayoi Kusama)
9. What Do You Look Forward To?
10. Drool Collection

Here’s to Shutting Up is the eighth studio album by American indie rock band Superchunk, released on September 18, 2001, through Merge Records. Produced by Brian Paulson and the band, the album blends alternative rock and indie rock with a more reflective, melodic tone compared to their earlier, punchier work. Notably, the track “Phone Sex” was removed from live performances following the September 11 attacks due to its sensitive lyrics referencing a plane crash. With standout songs like “Late-Century Dream,” “Out on the Wing,” and “Art Class (Song for Yayoi Kusama),” the album captures a mature, contemplative phase in Superchunk’s evolution.

9. Majesty Shredding (2010)

Tracks:

1. Digging for Something
2. My Gap Feels Weird
3. Rosemarie
4. Crossed Wires
5. Slow Drip
6. Fractures in Plaster
7. Learned to Surf
8. Winter Games
9. Rope Light
10. Hot Tubes
11. Everything at Once

Majesty Shredding is the ninth studio album by American indie rock band Superchunk, released on September 14, 2010, through Merge Records. Marking their first studio album since 2001’s Here’s to Shutting Up, it signaled a triumphant return after nearly a decade. The record received widespread acclaim, earning a strong 83/100 on Metacritic and landing at #25 on Rolling Stone’s Best Albums of 2010 list. Critics praised its energetic sound, with The A.V. Club calling it some of the band’s best work and The New York Times noting its effortless power-pop spark. The album peaked at #85 on the Billboard 200.

10. I Hate Music (2013)

Tracks:

1. Overflows
2. Me & You & Jackie Mittoo
3. Void
4. Staying Home
5. Low F
6. Trees of Barcelona
7. Breaking Down
8. Out of the Sun
9. Your Theme
10. FOH
11. What Can We Do

I Hate Music is the tenth studio album by American indie rock band Superchunk, released on August 20, 2013, through Merge Records. Known for its raw energy and heartfelt lyrics, the album explores darker themes while still delivering the band’s signature catchy hooks and driving guitar riffs. Critics praised it widely, with an impressive 83/100 score on Metacritic and strong reviews from outlets like Pitchfork, Spin, and Alternative Press. Songs such as “Me & You & Jackie Mittoo” and “FOH” highlight the band’s mix of melodic charm and emotional depth. The album reached No. 74 on the Billboard 200, showcasing Superchunk’s lasting impact.

11. What a Time to Be Alive (2018)

Tracks:

1. What a Time to Be Alive
2. Lost My Brain
3. Break the Glass
4. Bad Choices
5. Dead Photographers
6. Erasure
7. I Got Cut
8. Reagan Youth
9. Cloud of Hate
10. All for You
11. Black Thread

What a Time to Be Alive is the eleventh studio album by American indie rock pioneers Superchunk, released in February 2018 through Merge Records. Known for their energetic sound and sharp lyricism, the band delivers a politically charged collection that reflects the turbulent social climate of the time. Spanning eleven tracks in just over 32 minutes, the album captures urgency and raw emotion with standout songs like “What a Time to Be Alive,” “Break the Glass,” and “Erasure.” Featuring guest vocals from artists like Katie Crutchfield and David Bazan, the record blends punk-fueled energy with melodic hooks, cementing Superchunk’s enduring relevance.

12. Wild Loneliness (2022)

Tracks:

1. City of the Dead
2. Endless Summer
3. On the Floor
4. Highly Suspect
5. Set It Aside
6. This Night
7. Wild Loneliness
8. Refracting
9. Connection
10. If You’re Not Dark

Wild Loneliness is the twelfth studio album by American indie rock pioneers Superchunk, released on February 25, 2022, through Merge Records. Written and recorded during the COVID-19 lockdown in North Carolina, the album carries a reflective yet melodic tone, showcasing the band’s evolution over three decades. It features standout singles like “Endless Summer”, “This Night”, and “On the Floor.” Produced with help from mixer Wally Gagel, it also includes guest appearances from artists like Sharon Van Etten, Mike Mills (R.E.M.), and members of Teenage Fanclub. Praised by critics, Wild Loneliness earned strong reviews for its heartfelt lyrics and tender, mature sound.

13. Songs in the Key of Yikes (2025)

Tracks:

1. Is It Making You Feel Something?
2. Bruised Lung
3. No Hope
4. Care Less
5. Climb the Walls
6. Cue
7. Everybody Dies
8. Stuck in a Dream
9. Train on Fire
10. Some Green

Songs in the Key of Yikes is the thirteenth studio album by American indie rock pioneers Superchunk, released on August 22, 2025, through Merge Records. Following their 2022 record Wild Loneliness, the album delivers ten tightly crafted tracks running just under 40 minutes, blending the band’s signature energy with reflective lyricism. The lead single, “Is It Making You Feel Something?”, dropped on June 2, 2025, setting the tone for the record’s punchy yet melodic sound. Critics praised the album highly, with PopMatters calling it “a potent collection” and AllMusic declaring it proof that Superchunk remains a one-of-a-kind force in indie rock.

Conclusion:

Superchunk’s discography reflects the evolution of indie rock across more than three decades, showcasing the band’s DIY spirit, raw energy, and consistent creativity. From their explosive debut in 1990 to their latest release, Songs in the Key of Yikes (2025), each record captures a unique era of their growth while staying true to their Chapel Hill roots. Exploring Superchunk Albums in Order offers fans a journey through the band’s energetic punk-influenced beginnings, heartfelt 1990s anthems, and mature, reflective later works. Whether you’re a longtime listener or a new fan, their catalog stands as a testament to indie rock’s enduring power.

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