The List of Morbid Angel Albums in Order of Release Date

All Morbid Angel Albums Available on:  Apple Music 

Also See: Deicide Albums in Order

How many albums does Morbid Angel have?

Morbid Angel has released nine studio albums, spanning 1989 to 2017, showcasing their evolution from brutal Florida death metal pioneers to influential genre legends led by Trey Azagthoth worldwide impact.

The List of  Morbid Angel Albums in Order of Release Date

Here is the list of Morbid Angel Album in Order of Release Date:

1. Altars of Madness — May 12, 1989
2. Blessed Are the Sick — May 22, 1991
3. Covenant — June 22, 1993
4. Domination — May 9, 1995
5. Formulas Fatal to the Flesh — February 24, 1998
6. Gateways to Annihilation — October 17, 2000
7. Heretic — September 23, 2003
8. Illud Divinum Insanus — June 7, 2011
9. Kingdoms Disdained — December 1, 2017

All Morbid Angel Albums List in Order

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1. Altars of Madness (1989)

Tracks:

1. Immortal Rites
2. Suffocation
3. Visions from the Dark Side
4. Maze of Torment
5. Lord of All Fevers & Plague
6. Chapel of Ghouls
7. Bleed for the Devil
8. Damnation
9. Blasphemy
10. Evil Spells

Altars of Madness is the legendary debut studio album by American death metal pioneers Morbid Angel, released in 1989 and widely regarded as one of the most influential albums in extreme metal history. Recorded at Morrisound Recording in Tampa, Florida, the album set new standards for speed, technicality, and brutality, combining lightning-fast riffs, complex song structures, and dark, blasphemous lyrics. Featuring Trey Azagthoth’s chaotic, otherworldly guitar work and David Vincent’s monstrous vocals, Altars of Madness helped define death metal as a distinct genre. Its raw intensity, innovative musicianship, and lasting influence have earned it classic status among fans and critics worldwide.

2. Blessed Are the Sick (1991)

Tracks:

1. Intro
2. Fall from Grace
3. Brainstorm
4. Rebel Lands
5. Doomsday Celebration
6. Day of Suffering
7. Blessed Are the Sick/Leading the Rats
8. Thy Kingdom Come
9. Unholy Blasphemies
10. Abominations
11. Desolate Ways
12. The Ancient Ones
13. In Remembrance

Blessed Are the Sick is the influential second studio album by American death metal pioneers Morbid Angel, released on May 22, 1991 via Earache Records. Compared to their ferocious debut, the album embraces a darker, slower, and more atmospheric sound, infused with classical music influences inspired by guitarist Trey Azagthoth’s admiration for Mozart. Featuring Lovecraftian themes, semi-catchy riffs, and unconventional drumming, it stands out for its eerie, arcane character. Praised by critics for its focus and originality, Blessed Are the Sick firmly established Morbid Angel among the elite of death metal history.

3. Covenant (1993)

Tracks:

1. Rapture
2. Pain Divine
3. World of Shit (The Promised Land)
4. Vengeance Is Mine
5. Lions Den
6. Blood on My Hands
7. Angel of Disease
8. Sworn to the Black
9. Nar Mattaru
10. God of Emptiness

• The Accuser
• The Tempter

Covenant is the third studio album by American death metal pioneers Morbid Angel, released on June 1, 1993, and widely regarded as a defining landmark in extreme metal. Marking the band’s breakthrough, the album gained unprecedented mainstream exposure through MTV’s Headbangers Ball and the iconic “God of Emptiness” video. Produced with legendary producer Flemming Rasmussen, Covenant delivers crushing riffs, blistering drumming, and dark occult-themed lyrics. Its commercial success, selling over 150,000 copies in the U.S., proved death metal’s wider appeal and cemented Morbid Angel’s legacy as genre leaders.

4. Domination (1995)

Tracks:

1. Dominate
2. Where the Slime Live
3. Eyes to See, Ears to Hear
4. Melting
5. Nothing but Fear
6. Dawn of the Angry
7. This Means War
8. Caesar’s Palace
9. Dreaming
10. Inquisition (Burn with Me)
11. Hatework

Domination is the fourth studio album by American death metal pioneers Morbid Angel, released on May 9, 1995. Marking the band’s final release with Giant Records, the album captures a crucial transitional phase before their return to Earache Records. Domination is also notable as the first Morbid Angel album to feature Erik Rutan on guitar and keyboards, adding a darker, more atmospheric edge to the band’s signature brutality. Tracks like “Where the Slime Live” and “Dominate” showcase Trey Azagthoth’s complex songwriting and relentless intensity. The album remains a defining release in Morbid Angel’s influential discography.

5. Formulas Fatal to the Flesh (1998)

Tracks:

1. Heaving Earth
2. Prayer of Hatred
3. Bil Ur-Sag
4. Nothing Is Not
5. Chambers of Dis
6. Disturbance in the Great Slumber
7. Umulamahri
8. Hellspawn: The Rebirth
9. Covenant of Death
10. Hymn to a Gas Giant
11. Invocation of the Continual One
12. Ascent Through the Spheres
13. Hymnos Rituales de Guerra
14. Trooper

Formulas Fatal to the Flesh is the fifth studio album by American death metal legends Morbid Angel, released on February 24, 1998 via Earache Records. Marking the debut of bassist and vocalist Steve Tucker, the album signaled a major shift in both sound and lyrical direction. Satanic themes were replaced by cryptic references to the Old Ones, including lyrics written in Sumerian. Musically, the record is far more brutal than its predecessor Domination, featuring blistering blast beats, aggressive riffing, atmospheric solos, and Tucker’s deep, demonic growls. Though initially divisive, the album is now regarded as a late-1990s brutal death metal landmark.

6. Gateways to Annihilation (2000)

Tracks:

1. Kawazu
2. Summoning Redemption
3. Ageless, Still I Am
4. He Who Sleeps
5. To the Victor the Spoils
6. At One with Nothing
7. Opening of the Gates
8. Secured Limitations
9. Awakening
10. I
11. God of the Forsaken

Gateways to Annihilation is the sixth studio album by American death metal legends Morbid Angel, released on October 17, 2000 via Earache Records. The album marks a notable shift from the blistering speed of Formulas Fatal to the Flesh to a slower, heavier, and more atmospheric sound reminiscent of Blessed Are the Sick. It is the first Morbid Angel release featuring Steve Tucker’s lyrical and musical contributions and the final album to include guitarist and keyboardist Erik Rutan. Featuring artwork by Dan Seagrave and dark, immersive compositions, Gateways to Annihilation stands as a brooding and influential chapter in the band’s discography.

7. Heretic (2003)

Tracks:

1. Cleansed in Pestilence (Blade of Elohim)
2. Enshrined by Grace
3. Beneath the Hollow
4. Curse the Flesh
5. Praise the Strength
6. Stricken Arise
7. Place of Many Deaths
8. Abyssous
9. God of Our Own Divinity
10. Within thy Enemy
11. Memories of the Past
12. Victorious March of Reign the Conqueror
13. Drum Check
14. Born Again

Heretic is the seventh studio album by Florida death metal legends Morbid Angel, marking a significant turning point in the band’s career. Released as their final album on Earache Records, it is also the last to feature drummer Pete Sandoval and vocalist/bassist Steve Tucker until his later return. Recorded at Diet of Worms Studios, the album broke tradition as Morbid Angel’s first not tracked at Morrisound. Featuring intense tracks like “Enshrined by Grace,” which appeared on The Texas Chainsaw Massacre soundtrack, Heretic blends brutal aggression with experimental elements, solidifying its place in extreme metal history.

8. Illud Divinum Insanus (2011)

Tracks:

1. Omni Potens
2. Too Extreme!
3. Existo Vulgoré
4. Blades for Baal
5. I Am Morbid
6. 10 More Dead
7. Destructos vs. the Earth / Attack
8. Nevermore
9. Beauty Meets Beast
10. Radikult
11. Profundis – Mea Culpa

Illud Divinum Insanus is the eighth studio album by American death metal legends Morbid Angel, released on June 7, 2011 via Season of Mist. Marking the band’s longest gap between albums, it boldly shifts their signature sound by incorporating industrial and electronic elements alongside brutal death metal. The album features returning bassist/vocalist David Vincent, guitarist Destructhor, and drummer Tim Yeung, replacing longtime drummer Pete Sandoval during his recovery. Produced across multiple studios and mixed by Sean Beavan, the album sparked intense debate, earning mixed reviews while standing as Morbid Angel’s most experimental and controversial release to date.

9. Kingdoms Disdained (2017)

Tracks:

1. Piles of Little Arms
2. D.E.A.D. [Department of Eradication and Disposal]
3. Garden of Disdain
4. The Righteous Voice
5. Architect and Iconoclast
6. Paradigms Warped
7. The Pillars Crumbling
8. For No Master
9. Declaring New Law (Secret Hell)
10. From the Hand of Kings
11. The Fall of Idols

Kingdoms Disdained is the ninth studio album by American death metal legends Morbid Angel, released on December 1, 2017, via Silver Lining Music. Marking the return of vocalist and bassist Steve Tucker, the album delivers a raw yet grandiose death metal sound that reconnects with the band’s classic roots. Co-produced by Trey Azagthoth and Erik Rutan at Mana Recording Studios, it balances crushing riffs, ominous atmospheres, and socially observant lyrics. Widely praised as a return to form after Illud Divinum Insanus, the album reaffirmed Morbid Angel’s enduring power and relevance in modern death metal.

Conclusion:

In conclusion, the Morbid Angel discography stands as a monumental journey through the evolution of death metal, showcasing relentless innovation, technical mastery, and dark thematic depth. From the genre-defining chaos of Altars of Madness to the modern ferocity of Kingdoms Disdained, each release reflects Trey Azagthoth’s uncompromising vision and the band’s lasting influence. Exploring Morbid Angel Albums in Order highlights how their sound progressed while consistently pushing extreme metal boundaries. For fans and newcomers alike, Morbid Angel’s body of work remains essential listening, cementing their legacy as true pioneers and enduring icons of death metal history.

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