Bob Dylan Albums in Order: From his transformative folk anthems of the 1960s to his recent mellower Americana explorations, Bob Dylan, legally known as Robert Dylan, has forged a remarkable six-decade career that transcends music and defines cultural evolution.
Bob Dylan, born Robert Allen Zimmerman on May 24, 1941, is an iconic American singer-songwriter whose six-decade-long career has left an indelible mark on the world of music and popular culture. Regarded by many as one of the greatest songwriters in history, Dylan’s influence extends far beyond his music. His lyrical genius, combined with a fearless exploration of political, social, philosophical, and literary themes, set him apart from the conventions of pop music during the tumultuous 1960s.
It was in this era that he penned anthems like “Blowin’ in the Wind” and “The Times They Are a-Changin’,” which became anthems for the civil rights and antiwar movements. Hailing from St. Louis County, Minnesota, Dylan’s early career saw him transition from traditional folk songs to groundbreaking original compositions, culminating in his 1965 single “Like a Rolling Stone,” which challenged the boundaries of commercial music. However, a motorcycle accident in 1966 brought touring to a halt, leading to the creation of the legendary “Basement Tapes.” Dylan’s musical journey took diverse turns as he delved into country music, gospel, and contemporary rock throughout the 1970s and 1980s.
His career experienced a renaissance with the 1997 album “Time Out of Mind,” followed by several critically acclaimed releases, including “Rough and Rowdy Ways” in 2020 and “Shadow Kingdom” in 2023. Beyond music, Dylan is a prolific artist, author, and recipient of numerous awards, including the Nobel Prize in Literature in 2016, recognizing his profound impact on American culture and the world of songwriting. With over 145 million records sold, Bob Dylan’s enduring legacy as a musical and cultural icon remains unparalleled. So, if you are a die heart fan of Bob Dylan Albums then check out here we have list of Bob Dylan albums in order of release so far.
All Bob Dylan Albums Available on: Apple Music
The discography of American singer-songwriter Bob Dylan has released 40 studio albums, 96 singles, 18 notable extended plays, 54 music videos, 15 live albums, 17 volumes comprising The Bootleg Series, 29 compilation albums, 22 box sets, seven soundtracks as main contributor, thirteen music home videos and two non-music home videos.
Here is the list of Bob Dylan Album in Order of Release Date:
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Bob Dylan, the eponymous debut studio album by the legendary American singer-songwriter, emerged on March 19, 1962, under the Columbia Records banner. Produced by John H. Hammond, this release was initially met with limited acclaim, but its significance grew as Dylan’s career soared. Comprising mostly folk standards, the album showcased two original compositions, ‘Talkin’ New York’ and ‘Song to Woody,’ a tribute to his early influence, Woody Guthrie. While it didn’t gain immediate recognition, it eventually climbed the UK charts three years later, reaching the 13th spot, solidifying its place in Dylan’s storied discography.
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“The Freewheelin’ Bob Dylan,” Bob Dylan’s second studio album, released on May 27, 1963, marked a pivotal moment in his career. With 11 out of 13 tracks featuring his original compositions, it showcased his transition from traditional melodies to contemporary lyrics. The album’s opening track, “Blowin’ in the Wind,” became an iconic anthem of the 1960s. Dylan’s lyrics boldly addressed civil rights issues and nuclear fears, alongside bitter love songs and surreal humor. This release propelled him to national and international fame, earning him the title of “Spokesman of a Generation.” It reached high chart positions, eventually going platinum, and remains a classic, ranked 97 on Rolling Stone’s list of the 500 greatest albums.
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The Times They Are a-Changin’,” Bob Dylan’s third studio album, released on February 10, 1964, marked a pivotal moment in his career. Departing from his earlier albums, it exclusively featured his original compositions. Focused on pressing societal issues like racism, poverty, and social change, the album showcased stark, sparsely arranged ballads. The iconic title track captured the zeitgeist of the 1960s’ social and political upheaval. While some critics and fans found it less diverse and humorous than his previous work, the album achieved commercial success, peaking at No. 20 on the US chart, earning gold certification, and later reaching No. 4 in the UK in 1965.
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Released on August 8, 1964, ‘Another Side of Bob Dylan’ is the fourth studio album by American singer and songwriter Bob Dylan. Departing from the socially conscious style of his previous LP, ‘The Times They Are A-Changin’,’ this album marked a thematic shift in Dylan’s music. It received mixed reviews within the folk community, with some critics accusing him of losing touch with his audience. Nevertheless, Dylan continued his tradition of solo performances, accompanying himself on acoustic guitar, harmonica, and even piano in the track ‘Black Crow Blues.’ The album achieved moderate chart success, reaching No. 43 in the U.S. and peaking at No. 8 in the UK in 1965. In 2003, a high-definition 5.1 surround sound edition was released on SACD by Columbia Records.
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“Bringing It All Back Home,” the fifth studio album by American singer-songwriter Bob Dylan, released in March 1965 on Columbia Records, marked a pivotal moment in his career. The album’s unique structure splits its tracks between electric and acoustic, departing from his previous protest-oriented music to explore surreal, complex lyrics. Side one features Dylan backed by an electric rock band, a departure that raised eyebrows in the folk community. The album’s impact was immediate, reaching No. 6 on the Billboard Pop Albums chart and topping the UK charts. “Subterranean Homesick Blues,” the lead track, became Dylan’s first US charting single. Widely acclaimed, the album is considered one of the greatest of all time.
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“Highway 61 Revisited,” the landmark sixth studio album by American singer-songwriter Bob Dylan, emerged on August 30, 1965, under Columbia Records. Departing from his acoustic roots, Dylan enlisted rock musicians for the entire album, with an exception for the closing epic, “Desolation Row.” Critics marveled at Dylan’s groundbreaking fusion of blues-driven melodies with poetic depth, reflecting the societal turmoil of the era. The album’s lead track, “Like a Rolling Stone,” remains an enduring classic, joined by staples like “Ballad of a Thin Man” and the titular song.
The album’s title pays homage to the historic Highway 61, connecting Dylan’s birthplace in Duluth, Minnesota, to iconic musical hubs like Memphis and New Orleans. “Highway 61 Revisited” earned critical acclaim, ranking high on numerous lists of greatest albums and songs.
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“Blonde on Blonde,” released on June 20, 1966, stands as Bob Dylan’s monumental seventh studio album. This double album, recorded across multiple sessions in New York and Nashville, marked the culmination of a trilogy of rock albums, following “Bringing It All Back Home” and “Highway 61 Revisited.” Critics often hail it as one of the greatest albums in music history. Merging Nashville’s session musicians’ expertise with Dylan’s modernist literary style, it created a grand musical landscape coupled with visionary and colloquial lyrics.
The album’s impact was significant, peaking at number nine on the Billboard chart, yielding hit singles, and earning a double platinum certification. It remains a timeless classic, with songs like “Just Like a Woman” and “Visions of Johanna” standing out as some of Dylan’s finest work.
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“John Wesley Harding,” Bob Dylan’s eighth studio album, released on December 17, 1967, via Columbia Records, marked a significant departure from his previous work. Produced by Bob Johnston, it saw Dylan return to semi-acoustic instrumentation and folk-inspired songwriting after a trilogy of abstract, blues-infused rock albums. Recorded concurrently with The Basement Tapes sessions with The Band, this album was a critical and commercial success, peaking at No. 2 in the U.S. and topping the UK charts.
Notably, “All Along the Watchtower” gained immense popularity, thanks to Jimi Hendrix’s rendition. The album’s enduring impact is underscored by its inclusion in numerous “greatest albums” lists, notably Rolling Stone’s top 500 albums. Interestingly, it was named after the outlaw John Wesley Hardin, albeit with a misspelled name.
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“Nashville Skyline,” Bob Dylan’s ninth studio album, dropped on April 9, 1969, via Columbia Records in various formats, including LP, reel to reel tape, and audio cassette. Building upon the rustic style of his previous work on “John Wesley Harding,” this album marked a complete immersion into country music. Dylan’s songs embraced simpler structures and domestic themes, accompanied by a new singing voice—a soft, affected country croon, aided by his temporary cessation of smoking. The album garnered positive reviews, commercial success, and chart-topping status, reaching No. 3 in the U.S. and becoming his fourth No. 1 album in the UK.
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Released on June 8, 1970, ‘Self Portrait’ is Bob Dylan’s tenth studio album, issued by Columbia Records. This double album, following ‘Blonde on Blonde,’ comprises cover versions of popular pop and folk songs, interspersed with instrumentals and original compositions. Dylan’s unique, affected country crooning voice, introduced in ‘Nashville Skyline,’ dominates most of the tracks. Critics viewed ‘Self Portrait’ as surreal and satirical, and Dylan himself described it as a departure from his ’60s standards. Despite critical disdain, the album achieved gold status in the US, reaching No. 4 and hitting No. 1 in the UK. A positive re-evaluation came later with ‘The Bootleg Series Vol. 10: Another Self Portrait (1969–1971)’ in 2013.
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“New Morning,” the eleventh studio album by American singer-songwriter Bob Dylan, made its debut on October 21, 1970, under Columbia Records. Following the contentious release of “Self Portrait” just four months prior, “New Morning” marked a return to Dylan’s iconic nasal singing style, delighting fans and critics alike. While it’s considered a somewhat lesser work compared to later classics like “Blood on the Tracks,” the album reached No. 7 in the US and achieved gold status. “If Not for You” emerged as the standout track, famously covered by George Harrison and Olivia Newton-John, cementing its place in Dylan’s enduring catalog.
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Released on July 13, 1973, ‘Pat Garrett & Billy the Kid’ marked Bob Dylan’s twelfth studio album and served as his inaugural soundtrack album. Created for the Sam Peckinpah film bearing the same title, Dylan made an on-screen appearance as ‘Alias.’ This unique soundtrack primarily comprises instrumental compositions, directly influenced by the film’s themes. Notably, it features the enduring hit ‘Knockin’ on Heaven’s Door,’ which ascended the trans-Atlantic Top 20 charts. The album’s success was evident, achieving RIAA gold certification, and reaching the No. 16 spot on the US charts, as well as No. 29 in the UK.
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“Dylan,” the thirteenth studio album by iconic American singer-songwriter Bob Dylan, consists of previously unreleased outtakes from his earlier recordings. Released by Columbia Records on November 16, 1973, the album was compiled without Dylan’s involvement. It marked a pivotal moment in Dylan’s career, as he had recently departed from Columbia Records for Asylum Records and announced his first major tour since 1966. Notably, in Europe, the album was reissued in January 1991 under the title “Dylan (A Fool Such as I),” reflecting the ever-evolving trajectory of Dylan’s musical legacy and his enduring appeal to audiences worldwide.
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“Planet Waves,” released on January 17, 1974, marks Bob Dylan’s fourteenth studio album, launched under Asylum Records in the U.S. and Island Records in the UK. This album features Dylan alongside his longtime collaborators, The Band, leading to a significant reunion tour, documented in the live album “Before the Flood.” The release achieved notable success, briefly claiming the top spot on the U.S. Billboard charts, a first for Dylan, and reaching No. 7 in the UK. Reviews, while generally positive, noted a departure from his earlier work, emphasizing a laid-back roots rock style. Originally titled “Ceremonies of the Horsemen,” the album’s name changed just before release, having been previously considered as “Wedding Song.”
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“Blood on the Tracks,” Bob Dylan’s fifteenth studio album, released on January 20, 1975, via Columbia Records, marks his return to the label after a brief stint with Asylum Records. The album’s recording process is notable, with Dylan initially recording in New York City in September 1974, then re-recording much of it in Minneapolis in December. Often regarded as one of the greatest albums ever, it initially received mixed reviews but later gained acclaim. The songs are believed to reflect tensions in Dylan’s personal life, although he denied their autobiographical nature.
The album reached No. 1 on Billboard 200 and No. 4 on the UK Albums Chart, with “Tangled Up in Blue” as a standout single. It remains one of Dylan’s best-sellers and has received numerous accolades, including induction into the Grammy Hall of Fame and high rankings on various “greatest albums” lists.
“The Basement Tapes,” Bob Dylan’s sixteenth album and his second collaboration with the Band, emerged on June 26, 1975, via Columbia Records. This unique collection boasts 24 tracks, with Dylan on lead vocals for two-thirds of them, recorded in 1967 during a hiatus between “Blonde on Blonde” and “John Wesley Harding.” The sessions, initially held at Dylan’s Woodstock home and later in the basement of Big Pink, marked their official release. The remaining eight songs, featuring just the Band, were recorded from 1967 to 1975.
This album showcased Dylan’s shift towards intimate, diverse, and traditional American music styles, influencing the emerging Americana genre and challenging late-sixties rock music conventions. Despite some controversy surrounding its content, “The Basement Tapes” garnered critical acclaim, reaching number seven on the Billboard Top LPs & Tape chart.
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“Desire,” Bob Dylan’s seventeenth studio album released on January 5, 1976, marked a pivotal moment in his career. This highly collaborative effort featured musicians from the Rolling Thunder Revue tours and backing vocals by Emmylou Harris and Ronee Blakley. Co-written with Jacques Levy, the album is known for its lengthy, storytelling songs. Controversial tracks like “Joey” and “Hurricane” generated attention, with the latter passionately recounting the case of boxer Rubin Carter, who was believed to be wrongly convicted.
“Desire” soared to No. 1 on the Billboard Pop Albums chart, achieving double Platinum status and earning critical acclaim, including a spot on Rolling Stone’s list of The 500 Greatest Albums of All Time.
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Released on June 15, 1978, ‘Street-Legal’ marks the 18th studio album in the illustrious career of American singer-songwriter Bob Dylan. Notable for its departure from his previous work, Dylan ventured into uncharted territory by assembling a sizeable pop-rock ensemble with female backing vocalists for the recording. While met with mixed critical reception, following the acclaim of his prior album ‘Desire,’ ‘Street-Legal’ still achieved commercial success, earning Gold certification in the US and Platinum in the UK. The album’s reputation grew positively after a remixed and remastered edition surfaced in 1999, prompting a re-appraisal by many music critics.
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“Slow Train Coming,” Bob Dylan’s 19th studio album, marked a significant shift in his career. Released on August 20, 1979, by Columbia Records, it was his first album after his conversion to Christianity. The songs on the album reflect his newfound faith and emphasize Christian teachings. While this evangelical approach caused a division among his existing fan base, it also attracted a new Christian audience. Despite this controversy, the album received positive reviews from critics, featuring the hit single “Gotta Serve Somebody,” which earned Dylan his first Grammy Award in 1980. It reached No. 2 on the UK charts and achieved platinum status in the US, peaking at No. 3. In 2003, a high-definition 5.1 surround sound edition was released.
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“Saved,” Bob Dylan’s 20th studio album, arrived on June 23, 1980, through Columbia Records. The album marks the second installment of Dylan’s compelling “Christian trilogy,” building upon the themes introduced in its predecessor, “Slow Train Coming.” With “Saved,” Dylan continues to explore the significance of a steadfast personal faith, employing gospel arrangements and lyrics that fervently extol the power of spirituality. This musical venture exemplifies Dylan’s transition into a new phase of artistic expression, where his deep convictions find resonance through his distinctive blend of folk and gospel influences, creating an album that remains a unique and pivotal entry in his illustrious discography.
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Released on August 12, 1981, ‘Shot of Love’ is the 21st studio album by legendary American singer-songwriter Bob Dylan, marking the final installment in his trilogy of Christian-themed records. Departing from the gospel sound of his previous works, this album leans more toward rock arrangements. Reviews at the time were mixed, with Rolling Stone’s Paul Nelson offering praise for the closing track, ‘Every Grain of Sand.’ While it reached No. 6 in the UK, ‘Shot of Love’ signaled a decline in Dylan’s US commercial success, peaking at No. 33. Notably, Bono of U2 has cited it as a personal favorite, highlighting Dylan’s vocal prowess.
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“Infidels,” the 22nd studio album by American singer-songwriter Bob Dylan, emerged on October 27, 1983, via Columbia Records. Produced by Mark Knopfler and Dylan himself, the album marked Dylan’s return to secular music after a period of evangelical records following his conversion to Christianity. While retaining elements of religious imagery, “Infidels” delved into personal themes of love, loss, and social commentary, including environmental and geopolitical issues.
This shift was praised by critics, with Rolling Stone’s Christopher Connelly highlighting its significance in revitalizing Dylan’s career. Commercially, it reached No. 20 in the US and No. 9 in the UK, garnering critical acclaim despite the omission of notable tracks, such as “Blind Willie McTell.” The album was recorded and mixed entirely using digital recording equipment.
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Empire Burlesque, Bob Dylan’s 23rd studio album, made its debut on June 10, 1985, under Columbia Records. Dylan took on the role of self-producer for this release, which reached No. 33 in the U.S. and No. 11 in the UK. Featuring the collaborative talents of renowned musicians, such as members from Tom Petty and the Heartbreakers—Mike Campbell, Benmont Tench, and Howie Epstein—the album exudes a distinct ’80s style. To this day, fans and critics engage in discussions about the album’s worth, especially when weighed against his iconic 1960s and 1970s discography.
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Released on July 14, 1986, by Columbia Records, ‘Knocked Out Loaded’ stands as Bob Dylan’s 24th studio album. Despite its extensive discography, this record faced poor reception upon its release, often regarded as one of Dylan’s least engaging works. However, it features the noteworthy 11-minute epic ‘Brownsville Girl,’ co-written with Sam Shepard, which some critics consider among his finest songs. Commercially, the album faltered with weak sales, reaching No. 53 on U.S. charts and No. 35 in the UK. While ‘Knocked Out Loaded’ may not be Dylan’s most celebrated effort, it still contains a gem that resonates with certain music aficionados.
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“Down in the Groove” is the 25th studio album by Bob Dylan, launched on May 30, 1988, under Columbia Records. Marked by extensive collaborations, it suffered from poor critical reception, becoming Dylan’s second consecutive album to garner overwhelmingly negative reviews. Released during a slump in his recording career, it underperformed commercially, peaking at just number 61 in the US and number 32 in the UK. This album stands as a unique chapter in Dylan’s prolific career, showcasing the challenges he faced during that period, both artistically and in terms of commercial success.
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Oh Mercy, Bob Dylan’s 26th album, emerged as a pivotal moment in his career when it hit the shelves on September 12, 1989, under Columbia Records, and marked a remarkable resurgence. Produced by Daniel Lanois, it garnered critical acclaim, redeeming Dylan from a series of less-favored releases. The album’s chart performance reflected this rejuvenation, with a No. 30 ranking on the Billboard charts in the United States and an impressive No. 6 position in the UK. This milestone underscored Dylan’s enduring relevance and reaffirmed his position as an iconic figure in the world of music, capturing a moment of creative reawakening.
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“Under the Red Sky,” Bob Dylan’s 27th studio album, debuted on September 10, 1990, via Columbia Records. Produced by Don Was, David Was, and Dylan (using the pseudonym Jack Frost), the album followed the critically acclaimed “Oh Mercy” from 1989. However, it faced disappointment from critics who were critical of its polished rock sound attributed to Don Was.
The album stood out in Dylan’s discography due to its incorporation of celebrity cameos, featuring musicians like Jimmie Vaughan, Slash, Elton John, George Harrison, David Crosby, Stevie Ray Vaughan, and Bruce Hornsby. Notably, it featured tracks with a whimsical nod to children’s nursery rhymes, setting it apart from Dylan’s usual style.
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Released on November 3, 1992, ‘Good as I Been to You’ is Bob Dylan’s 28th studio album, distributed by Columbia Records. A departure from his usual style, this album consists entirely of traditional folk songs and covers, marking Dylan’s return to solo, acoustic performances for the first time since 1964’s ‘Another Side of Bob Dylan.’ Notably, it also lacks original compositions, a departure from his prior works. The album achieved moderate chart success, peaking at No. 51 in the US and No. 18 in the UK. ‘Good as I Been to You’ played a pivotal role in revitalizing Dylan’s critical acclaim, following the lukewarm reception of ‘Under the Red Sky.
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World Gone Wrong, Bob Dylan’s 29th studio album, emerged on October 26, 1993, via Columbia Records. Following in the footsteps of its predecessor ‘Good as I Been to You,’ this album is a departure from Dylan’s original works, featuring an acoustic, guitar, and harmonica-driven renditions of traditional folk songs, often delving into darker and more somber themes. The album garnered positive critical acclaim and clinched a Grammy Award for Best Traditional Folk Album. In the charts, it reached number 70 in the U.S. and number 35 in the UK, solidifying Dylan’s enduring influence in the folk music landscape.
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“Time Out of Mind,” Bob Dylan’s thirtieth studio album, released on September 30, 1997, marked a significant artistic resurgence in his career. Following a period of musical exploration and the absence of original material in the 1980s, this album heralded his return to form. Produced by Daniel Lanois, it featured an atmospheric sound, achieved through innovative microphone placement and mixing techniques. Despite Dylan’s initial dissatisfaction with the sound, the album received widespread acclaim. It earned three Grammy Awards, including Album of the Year, in 1998, and secured its place at number 410 on Rolling Stone’s list of the 500 Greatest Albums of All Time in 2012.
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“Released on September 11, 2001, “Love and Theft” is Bob Dylan’s 31st studio album, produced under Columbia Records. Backed by his touring band at the time, the album also featured keyboardist Augie Meyers during the recording sessions. It achieved considerable success, peaking at No. 5 on the Billboard 200 chart and earning Gold certification from the RIAA. Notably, a limited edition release included two bonus tracks recorded in the early 1960s. Later, on September 16, 2003, the album underwent a 5.1 surround sound remix, as part of a reissue and remastering effort for SACD playback, alongside 14 other Dylan titles.
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“Modern Times,” Bob Dylan’s 32nd studio album, marked a significant milestone in his career upon its release on August 29, 2006, under Columbia Records. This acclaimed work followed the success of “Time Out of Mind” and “Love And Theft,” maintaining Dylan’s exploration of blues, rockabilly, and pre-rock balladry. Self-produced under the pseudonym “Jack Frost,” the album drew both praise and debate for its uncredited use of older song elements and lines inspired by poet Henry Timrod. Notably, “Modern Times” achieved immense commercial success, becoming Dylan’s first No. 1 album in the U.S. since 1976.
It also topped charts worldwide and secured a place on Rolling Stone’s list of “The 500 Greatest Albums of All Time,” ranking at No. 204. With over 4 million copies sold globally, “Modern Times” remains a testament to Dylan’s enduring impact on music.
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“Together Through Life,” Bob Dylan’s 33rd studio album, arrived unexpectedly on April 28, 2009, via Columbia Records. This surprising release quickly soared to number 1 in several countries, leaving fans delighted and intrigued. The album showcases Dylan’s collaborative spirit as he co-wrote most of its tracks with renowned lyricist Robert Hunter. He also enlisted the talents of musicians such as Mike Campbell from Tom Petty and the Heartbreakers and David Hidalgo of Los Lobos. Recorded at Jackson Browne’s Groove Masters studio in Santa Monica, California, the album was produced by Dylan under his pseudonym, Jack Frost. It stands as another remarkable chapter in Dylan’s storied career.
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“Christmas in the Heart” marks Bob Dylan’s 34th studio album and his debut Christmas offering, released on October 13, 2009, via Columbia Records. This collection features a blend of hymns, carols, and beloved Christmas tunes. Notably, all royalties from the album’s sales support charitable causes, including Feeding America, Crisis, and the World Food Programme. Despite his Jewish background and later conversion to Christianity, Dylan’s childhood experiences in Minnesota instilled in him a deep appreciation for Christmas.
The album achieved chart success, hitting No. 1 on the Billboard Holiday Album chart and ranking on other genre-specific and overall album charts. Produced by Dylan under the pseudonym Jack Frost, it reflects his enduring appeal and versatility in the 21st century.
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“Tempest,” the 35th studio album by American singer-songwriter Bob Dylan, made its debut on September 10, 2012, under Columbia Records. Recorded at Jackson Browne’s Groove Masters Studios in Santa Monica, California, the album showcases Dylan’s songwriting prowess, with the exception of “Duquesne Whistle,” co-authored with Robert Hunter. Critics lauded the album for its traditional musical influences and the evocative darkness of Dylan’s lyrics. It reached an impressive peak at number 3 on the Billboard 200 chart. “Tempest” marked Dylan’s final album of original material until his 2020 release, “Rough and Rowdy Ways,” continuing his legacy of musical innovation and lyrical depth.
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“Shadows in the Night,” Bob Dylan’s 36th studio album, emerged on February 3, 2015, courtesy of Columbia Records. A departure from his usual repertoire, this album is a collection of classic pop standards popularized by Frank Sinatra, handpicked by Dylan himself. Produced under the pseudonym Jack Frost, Dylan clarified that he didn’t see these songs as mere covers but as a resurrection of buried treasures. Critics lauded the album for its song choices, Dylan’s performance, and arrangements. Remarkably, it debuted atop the UK Albums Chart, making Dylan the oldest solo male artist to achieve this feat in the UK. Additionally, it received a Grammy nomination in 2016 for Best Traditional Pop Vocal Album.
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Released on May 20, 2016, ‘Fallen Angels’ marked Bob Dylan’s 37th studio album under Columbia Records. This musical collection comprises twelve classic American songs personally selected by Dylan, showcasing the work of iconic writers like Johnny Mercer, Harold Arlen, Sammy Cahn, and Carolyn Leigh. Akin to its predecessor, ‘Shadows in the Night,’ all tracks, except ‘Skylark,’ were previously recorded by Frank Sinatra. The album garnered favorable reviews from critics, lauding Dylan’s vocal prowess, top-notch production, and the skillful arrangements by his band. It even secured a Grammy nomination for Best Traditional Pop Vocal Album at the 59th Annual Grammy Awards in 2017.
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Triplicate, Bob Dylan’s 38th studio album, emerged on March 31, 2017, through Columbia Records, marking another self-produced venture under the pseudonym Jack Frost. Diverging from his usual songwriting, the album comprises covers of classic American tracks performed live with his touring band and devoid of overdubs. It’s a unique three-disc collection with thirty songs, each disc arranged thematically with individual titles. Despite receiving widespread critical acclaim and a Grammy nomination for Best Traditional Pop Vocal Album at the 60th Annual Grammy Awards, Triplicate achieved modest commercial success, peaking at number 37 on the Billboard 200 and number 17 on the UK Albums Chart.
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“Rough and Rowdy Ways,” the 39th studio album by American singer-songwriter Bob Dylan, graced the music scene on June 19, 2020, via Columbia Records. Following a hiatus from original songwriting since his 2012 release “Tempest,” Dylan returned with this album after exploring traditional pop standards. Recorded at Sound City Studios in early 2020, the sessions featured his Never Ending Tour band and notable musicians like Blake Mills and Fiona Apple. Critics hailed its blend of Americana, folk, blues, and rhythm and blues. The album’s singles, including “Murder Most Foul,” marked a chart-topping milestone for Dylan. Universally acclaimed, it reached No. 1 in over ten countries and secured a No. 2 spot in the US and Australia.
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Shadow Kingdom, Bob Dylan’s 40th studio album and his second soundtrack release, emerged on June 2, 2023, via Columbia Records, marking his return to the studio after his 2020 album, Rough and Rowdy Ways. These new recordings accompany Alma Har’el’s film, ‘Shadow Kingdom: The Early Songs of Bob Dylan.’ Recorded in early 2021 at Village Recorder in West Los Angeles, the album features session musicians like T Bone Burnett and Don Was. Notably, this album marks Dylan’s first venture with a band devoid of drums or percussion. Comprising 13 reimagined classics from his early career and an instrumental piece called ‘Sierra’s Theme,’ ‘Shadow Kingdom’ received widespread critical acclaim, with a lead single, ‘Watching the River Flow,’ released on April 13, 2023.
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